{"ok":true,"trend":{"id":495771,"platform":"mastodon","region":"global","key":"“somehow hearing the play in scots gave anglophone audiences an insight into tremblay that had hitherto eluded them” —ma","title":"“Somehow hearing the play in Scots gave Anglophone audiences an insight into Tremblay that had hitherto eluded them” —Ma","url":"https://mastodon.scot/@scotlit/117360317442548468","first_seen":"2026-09-30T14:57:48.620845Z","last_seen":"2026-10-01T08:45:28.836617Z","last_rank":3,"peak_rank":1,"last_volume":5,"peak_volume":5,"seen_count":14,"score":93.06,"category_hint":"theatre","section":"culture","category":"theatre","summary":"A collection of eight Scots translations of Michel Tremblay's plays is drawing attention, with critic Mark Fisher arguing that hearing the Québécois playwright's work in Scots has given English-speaking audiences an insight into his writing that standard English versions never quite achieved. The translations, featured in the journal Critical Stages, suggest Scots and Quebec French share a similar colloquial texture.","why":"A newly published set of Scots translations reframes how English-speaking theatre audiences understand Tremblay's voice","tone":"positive","entities":["Michel Tremblay","Mark Fisher","Critical Stages","Scotland","Quebec"],"summarized_at":"2026-10-01T09:05:12.874447Z","meta":{"tag":"theatre","via":"scan","kind":"status","lang":"en","instance":"mastodon.social","tag_uses":27},"nw":null,"promo":null,"kind":null,"importance":null,"hidden":false,"hide_reason":null,"judged_at":null,"title_en":"Scots translations open up Québécois playwright Michel Tremblay","section_name":"Culture","category_name":"Theatre","timeline":[{"captured_at":"2026-09-30T14:57:48.620845Z","rank":1,"volume":4},{"captured_at":"2026-09-30T16:19:48.552119Z","rank":2,"volume":4},{"captured_at":"2026-09-30T17:41:50.014749Z","rank":3,"volume":5},{"captured_at":"2026-09-30T19:03:48.608529Z","rank":3,"volume":5},{"captured_at":"2026-09-30T20:26:07.747643Z","rank":3,"volume":5},{"captured_at":"2026-09-30T21:48:09.238710Z","rank":3,"volume":5},{"captured_at":"2026-09-30T23:10:08.931043Z","rank":3,"volume":5},{"captured_at":"2026-10-01T00:32:08.639081Z","rank":3,"volume":5},{"captured_at":"2026-10-01T01:54:08.061201Z","rank":3,"volume":5},{"captured_at":"2026-10-01T03:16:09.293695Z","rank":3,"volume":5},{"captured_at":"2026-10-01T04:38:27.769888Z","rank":3,"volume":5},{"captured_at":"2026-10-01T06:01:00.617335Z","rank":3,"volume":5},{"captured_at":"2026-10-01T07:22:48.397664Z","rank":3,"volume":5},{"captured_at":"2026-10-01T08:45:28.836617Z","rank":3,"volume":5}],"posts":[{"platform":"mastodon","url":"https://mastodon.scot/@scotlit/117360317442548468","author":"scotlit@mastodon.scot","title":null,"snippet":"“Somehow hearing the play in Scots gave Anglophone audiences an insight into Tremblay that had hitherto eluded them” —Mark Fisher on MICHEL TREMBLAY: PLAYS IN SCOTS – 8 Scots translations of the Québécois playwright’s work 1/4 https://www. critical-stages.org/29/michel-…","posted_at":"2026-09-30T13:52:08Z","likes":5}],"elsewhere":[],"window":"7d"}}