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    AI executive calls generative AI 'the largest theft of labor in human history'●AI exec: We may have pulled off β€œthe largest theft of labor in human history.”MmastodonTechnologyAI986 min ago

    A tech executive involved in a lawsuit over AI training data is quoted calling generative AI potentially 'the largest theft of labor in human history.' The remarks surfaced through documents made public in the case, in which creators allege their work was used without permission or payment. The comment is drawing attention because it appears to acknowledge, from inside the industry, concerns that artists, writers and other workers whose material trained AI systems have not been compensated.

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    Meta removes critical video about its AI glasses●Meta takes down a critical video about meta AI Glasses after filming at MetaYhnTechnologyAI6317 min ago

    Meta has taken down a video that was critical of its Meta AI smart glasses after the creator filmed footage at Meta's premises. The removal is drawing attention to how the company handles criticism of its wearable AI products, with commenters questioning whether the takedown amounts to censorship of unfavourable coverage.

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    British celebrities win copyright fight against AI companies, warn Australiaβ–ΌBritish celebrities beat AI companies lobbying to get free use of their work. They have a warning for Australiaβœ‰newsCultureCelebrityjust now

    British celebrities, including prominent artists and performers, have successfully lobbied against proposals that would allow AI companies to freely use their creative work for training. Their campaign, backed by The Guardian's reporting, blocked changes to UK copyright rules. Now they are warning Australian policymakers not to adopt similar exemptions that could undermine creators' rights.

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    The Register argues that major AI companies are building products on copyrighted creative and journalistic work without paying for it, while capturing the financial returns themselves. The piece frames this as a growing content problem for the industry, with publishers and creators increasingly demanding compensation as AI models compete directly with the sources they were trained on.

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    Study: Only 2.2% of finance influencers hold professional credentialsβ–ΌOnly 2.2% of financial content creators hold CFP, CFA or CPA credentials, study of 692 million views findsβœ‰newsBusinessFinance51 min ago

    A study analyzing 692 million views of financial content online has found that just 2.2% of the creators behind it hold recognized professional credentials such as CFP, CFA or CPA. The finding raises questions about the quality and reliability of the personal finance advice millions of people consume on social media, as uncredentialed voices dominate the space.

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    Lucas Museum of Narrative Art opens in Los Angelesβ–ΌIllustrating myths: The Lucas Museum of Narrative Art opensβ–ΆyoutubeCultureArt706K8 h ago

    The Lucas Museum of Narrative Art, founded by Star Wars creator George Lucas, has opened its doors. The museum is dedicated to narrative art, spanning illustration, comics, film and painting, and tells stories through visual works across cultures and eras. Early coverage highlights its unconventional collection and striking architecture, and attention is focused on how it will treat popular and mythic imagery as fine art.

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    YouTube launches AI editing assistant for creators●YouTube unveils AI editing assistant, new insight tools for creatorsβœ‰newsTechnologyAI11 h ago

    YouTube has announced an AI-powered editing assistant along with new insight tools aimed at helping creators produce and improve their content. The announcement, reported by Mashable, signals YouTube's continued push into artificial intelligence features for its creator community. The new tools are expected to streamline video editing and give creators deeper data about their audiences and performance.

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    UK artists' AI copyright win offers lessons for Australia●AI Copyright Fight: Lessons from UK Artists for Australia High-profile UK creators successfully fought AI lobbying overMmastodonTechnologyAI08 h ago

    High-profile British creators have successfully pushed back against AI industry lobbying over the use of copyrighted works, a campaign now being studied as Australia weighs its own copyright reforms. Observers say the UK experience shows how artists' collective pressure can shape rules governing AI training on creative work, as Australian policymakers face similar demands from both creators and technology firms.

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    IPC launches Sport for Mobility animated film series●IPC launches series of Sport for Mobility animated filmsβœ‰newsSportSports18 min ago

    The International Paralympic Committee has launched a new series of animated films under its Sport for Mobility initiative. The series aims to highlight how sport can support mobility and inclusion for people with disabilities. Further details about the films' themes, creators and distribution have not yet been widely reported.

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    OnlyFans creators including Lily Phillips promote climate awarenessβ–ΌLily Phillips, other OnlyFans creators spread the word about climate changeβœ‰newsEnvironmentClimate29 min ago

    OnlyFans creators, including Lily Phillips, are using their large online followings to raise awareness about climate change. The crossover of adult content creators into environmental messaging is drawing attention, with observers debating whether influencer reach of this kind can meaningfully shift public engagement with climate issues.

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    Creators are increasingly taking equity stakes in startups instead of one-off brand sponsorships. The shift reflects a broader change in the creator economy: rather than promoting products for fees, influencers are positioning themselves as long-term investors and business partners, betting their audiences and personal brands can drive startup growth alongside founders.

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    Commentary says social media puts unsustainable pressure on artists●Social media advertising places unsustainable expectations on artistsβœ‰newsTechnologyInternet4 h ago

    A commentary in The Daily Orange argues that social media advertising places unrealistic and unsustainable expectations on artists. The piece contends that platforms require constant content production and self-promotion, turning creative work into a relentless marketing cycle. It has drawn attention among readers debating how digital demands affect creative careers.

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